After checking out Sandra Straits Chambray tangle description on SB's most current blog post, I decided to give it a try. Used a pilot blue gel pen - how appropriate, huh? I used the shading technique she described but decided it needed some additional line work to enhance the fold forms against the blue. Not sure it's working, or where this fuzzy little fold guy is going, but it's was a change of pace using a color pen.
Using black ink does make the lines "pop" and I found using the color pen a little more challenging. The black and white makes it easier to focus on the lines and forms, adding color creates its own issues. Not sure if I like the final product but the textures are fun.
I want to try sepia pens some time. I've seen tangles on the flickr zentangle group done in sepia that have an interesting aged feel.
I am a free-form sort of gal in many aspects of life. I find it fascinating that the zentangle experience appeals to so many of us, whether we are "left-brainers" that enjoy the straight measured lines and grids patterns, or the free-form, outside the lines, right-brainers where I consider myself. Both methods work beautifully with the zentangle process. I find that amazing!
Last month I was up north with my sister and participated in a zentangle day with 6 wonderful women. We all brought different talents and mind sets to the process and the result was seven fabulous tangles. All different, but each one beautiful.
Sandy Bartholemew blog features Sandra Straits description of the Chambray tangle fabric shading process from her "Totally Tangled" book for a reader. She demonstrated shading the basic fabric outline before adding the tangle pattern to the fabric folds.
I'm of two minds on that process, first, the pencil shading on top of the micron pens does diminish the intensity of the blacks, but , on the other hand I do like the option of scanning in the two versions of the same tangle for future use. One, the black and white original, scanned in black and white bitmapped high resolution (600 DPI), next, the shaded version scanned at 300DPI in greyscale.
I'm going to have to play with both options. I do like the idea of creating one tangle that gives me two pieces of art that I have available to go back and play with, hmm...
I started tangling in August, and as anyone who's been around me knows, I'm crazy about the zentangle® process. I always have my drawing pad and pen with me and will share my passion with anyone who gives a "hint" they might be interested, or not... It's so weird looking back at my journal, I thought I began my adventure into the process a long time ago but it's only been a few months.
I found out last week that I got the best gift from my wonderful family. Two of my sisters and niece got together and are sending me to the February CZT class to get certified. It's one of the best and thoughtful gifts I've ever received and I'm so excited and thankful. I can hardly wait. My friend Jeanne, who exposed me to the process, is also going. It's going to be a wonderful adventure!
A Touch of Silver... the coming of winter, small frosty diamonds sparkling in the morning sun, each little shimmering frosty reflection means winter is on it's way. A time of quiet reflection and introspection.
Slowly, silently, now the moon
Walks the night in her silver shoon;
This way, and that, she peers, and sees
Silver fruit upon silver trees;
One by one the casements catch
Her beams beneath the silvery thatch;
Couched in his kennel, like a log,
With paws of silver sleeps the dog;
From their shadowy cote the white breasts peep
Of doves in silver feathered sleep
A harvest mouse goes scampering by,
With silver claws, and silver eye;
And moveless fish in the water gleam,
By silver reeds in a silver stream.
-- Walter de la Mare